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King Richard III is one of Shakespeare's most popular and frequently performed plays. Janis Lull's introduction to this new edition, based on the First Folio, emphasises the play's tragic themes - individual identity, determinism and choice - and stresses the importance of women's roles in the play. It also underscores the special relationship between Richard III and Macbeth, demonstrating that the later tragedy re-examines issues raised in the earlier one. A thorough performance history of stage and film versions of Richard III shows how the text has been cut, rewritten and reshaped by directors and actors to enhance the role of Richard at the expense of other parts, especially those of the women. This updated edition contains a new introductory section covering recent criticism and performances - including the RSC cycles of the history plays - of this perennially popular play. The notes define the play's language in terms easily accessible to contemporary readers.

Introduction: History and meaning in Richard III

Richard III and Macbeth

Plot and language in Richard III

Richard III in performance

The audience in Richard III

Recent stage, film, and critical interpretations

Note on the text

List of characters

THE PLAY

Textual analysis

Appendix 1. The Q-only 'clock' passage

Appendix 2. The Plantagenet family tree

Reading list.

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　　King Richard III is one of Shakespeare's most popular and

frequently performed plays. Janis Lull's introduction to this new

edition, based on the First Folio, emphasises the play's tragic

themes – individual identity, determinism and choice – and stresses

the importance of women's roles in the play. It also underscores

the special relationship between Richard III and Macbeth,

demonstrating that the later tragedy re-examines issues raised in

the earlier one. A thorough performance history of stage and film

versions of Richard III shows how the text has been cut, rewritten

and reshaped by directors and actors to enhance the role of Richard

at the expense of other parts, especially those of the women. This

updated edition contains a new introductory section covering recent

criticism and performances – including the RSC cycles of the

history plays – of this perennially popular play. The notes define

the play's language in terms easily accessible to contemporary

readers.

　　? A new introductory section takes account of the most recent

criticism and performances, including the RSC history plays cycle ?

King Richard III is one of Shakespeare's most regularly performed

and popular plays ? Lull's detailed introduction investigates the

play's language and complicated textual history in terms easily

accessible to contemporary readers

书籍介绍

King Richard III is one of Shakespeare's most popular and frequently performed plays. Janis Lull's introduction to this new edition, based on the First Folio, emphasises the play's tragic themes - individual identity, determinism and choice - and stresses the importance of women's roles in the play. It also underscores the special relationship between Richard III and Macbeth, demonstrating that the later tragedy re-examines issues raised in the earlier one. A thorough performance history of stage and film versions of Richard III shows how the text has been cut, rewritten and reshaped by directors and actors to enhance the role of Richard at the expense of other parts, especially those of the women. This updated edition contains a new introductory section covering recent criticism and performances - including the RSC cycles of the history plays - of this perennially popular play. The notes define the play's language in terms easily accessible to contemporary readers.